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The Yale Center for British Art’s new show William Hunter and the Anatomy of the Modern Museum asks us to abandon borders. Not borders between countries and people, but the walls in the mind built by group-think and obsessive, constipating specialization.
We have important news: our publisher, Don Sparacin, and I have acquired The Magazine ANTIQUES from Art News Media, LLC. We are now independent, and we intend to go places.
At about the midway point between Selma and Montgomery, in White Hall, Alabama, a one-story cottage—hardly more than a shack—squats on cinder blocks.
New York City’s Central Park was a prescient masterstroke of urban planning in the nineteenth century. Completed in 1874, the green space created by Frederick Law Olmsted and Calvert Vaux flowers on, vital in every sense, as a living work of art.
Listeners to this podcast will recognize the name Freeman’s—for more than a year, the Philadelphia-based auction house has been Curious Objects’ lead sponsor, and its no exaggeration to say the podcast wouldn’t exist without them.
The painter Agnes Pelton took inspiration from esoteric philosophies and becomes another early twentieth-century woman abstractionist receiving her due.
A current exhibition examines American art old and new through the lens of the environment
Some thoughts on Notre Dame Cathedral, which caught fire Monday.
During the age of chivalry, armor was a necessity in times of both war and peace. In battle, a sturdy breastplate might have been the only thing keeping a knight from mortal harm at the point of a lance.
The AKC’s Museum of the Dog returns to New York