The little gem of an art fair that ushers in the holiday season on New York’s Upper East Side turns twelve this year.
“As seen through the work of women”: The New Hall Art Collection at Cambridge University
Art pilgrims intent on making Cambridge, England, their destination should extend their journey beyond the university’s majestic Fitzwilliam Museum and its old masters and Kettle’s Yard, the fey modernist cenacle of British art between the wars, to include the New Hall Art Collection at Murray Edwards College, one of three exclusively women’s colleges at the University of Cambridge. Unknown to …
Uncommon women and the art of the common man
Collecting can be as much a declaration of independence as it is a need for possession, particularly when the objects of desire are unorthodox and the pursuer is a sentient, intelligent woman. Appreciating something different, something odd, something not sanctified or certified by art history, almost inevitably leads to discovering an identity, asserting individuality, and transporting oneself into a new …
Glackens and Whistler: A young man’s attraction
When citing the formative influences on the American artist William Glackens, we tend to round up the usual suspects: Diego Velázquez, Frans Hals, Édouard Manet, and Pierre-Auguste Renoir. It is true that all of these painters, as well as Edgar Degas, Théophile Steinlen, Claude Monet, and Henri Matisse, evoked Glackens’s admiration, and he firmly believed that Americans who wished to …
Life Studies: Edward Hopper’s drawings
from The Magazine ANTIQUES, September/October 2013. The hope of the artist is to resist interpretation. Emerson said that “to be great is to be misunderstood” and, pressed to explain his troubles, Hamlet cried to his interlocutors, “You would pluck out the heart of my mystery.” Among contemporary artists, Jasper Johns has made a creed of reticence, and Edward Hopper was …
Forces for the new: Collectors and the 1913 Armory Show
from The Magazine ANTIQUES, January/February 2013 | Fig. 14. Self-Portrait by van Gogh, c. 1887. Oil on canvas, 15 ¾ by 13 ⅜ inches. Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, gift of Philip L. Goodwin in memory of his mother, Josephine S. Goodwin. On February 17, 1913, the most important art event ever held in America-the International Exhibition of …
Master of delight: William J. Glackens at the Museum of Art, Fort Lauderdale
from The Magazine ANTIQUES, November/December 2011 | Fig.1. Cape Cod Pier byWilliam J. Glackens (1870-1938), 1908. Signed “W. Glackens” at lower right. Oil on canvas, 26 by 32 inches. The works illustrated are inthe Museum of Art, Fort Lauderdale, Florida. Gift of an anonymous donor. Behind the facade of a modern white monolith shimmering in the light of the Florida sun lies …