A glimpse of the possible future of museum displays of historical artifacts can be seen in the recent opening of the Art Institute of Chicago’s Deering Family Galleries of Medieval and Renaissance Art, Arms, and Armor.
A body of work that has received scant attention from collectors is on view this spring at the National Gallery of Art.
The Peabody Essex Museum in Salem, Massachusetts is revisiting the grand era of ocean liner travel.
How three museums are celebrating the 100th birthday of Andrew Wyeth.
A powerful exhibition looks at World War I through the lens of American Art.
Revisiting Harvard’s Philosophy Chamber.
With its tenderly human tableaux painted on a golden background, the St. John Altarpiece, attributed to Francescuccio Ghissi (active 1359–1374), was a gem of Italian art at the dawn of the Renaissance. But at some point in the nineteenth or early twentieth century, the altarpiece was sawn apart to separate its nine constituent panels.
Frédéric Bazille at the National Gallery of Art.
In the Berkshires, two blue-blooded artists made a home for modernism in America.
We think of the art of ancient Greece as the epitome of serene beauty and refinement, but a new exhibition at the Onassis Cultural Center in New York reveals how often deep, even combustible, feelings were expressed in the artifacts of the Hellenic civilization.