Whose history is it?

Art, Opinion

For years I’d heard people expressing doubts as to whether the Smithsonian Institution actually needed a tenant devoted to black American history and culture. These misgivings didn’t come from whites only, but from black and brown people too.  The more knowledgeable—or, anyway, least blinkered—of such skepticism circled around whether such a place wouldn’t be redundant since there was already a …

Critical Thinking: Confederate Flags and Monuments

Art, Opinion

There’s trouble on Monument Avenue. This grand boulevard in Richmond, Virginia, is the symbolic heart of the city. It is leafy and quiet, and lined with grand architecture dating largely from the early twentieth century. As its name suggests, it also features a series of monuments. One is dedicated to the tennis player Arthur Ashe. All the others pay tribute …

End notes: Welcoming Gregory Cerio

Editorial Staff Opinion

As we say farewell to Betsy Pochoda, who moves on to her next adventures after eight years at the helm of ANTIQUES, we welcome Gregory Cerio as the new editor. A man of wide-ranging interests and well-chosen words, Greg is no stranger to our office, as he was the founding editor of our sister magazine MODERN and has written for …

Editor’s Letter, May/June 2016

nanderson Opinion

Glenn Adamson joins us this month as editor at large with an interesting mandate you can read about below. Glenn was most recently director of the Museum of Arts and Design. Before that he was head of research at the V&A, and curator of the Chipstone Foundation. The Magazine ANTIQUES: In your column you will think through difficult matters that …

Editor’s Letter

nanderson Opinion

The American Revolution has a hit on its hands with Hamilton, the hip-hop musical currently lighting up Broadway. “Who lives, who dies, who tells your story,” the cast sings in its sly retooling of our republic as the story of Alexander Hamilton’s rise through the imperial city of New York (“History is happening in Manhattan and we just happen/to be in …

Editor’s Letter, January/February 2016

nanderson Opinion

We occasionally split the run of an issue of ANTIQUES with one cover for subscribers—an interior from Abbeville, Louisiana, in this case—and another for distribution at shows—Louis Lozowick’s 1930 lithograph of the Brooklyn Bridge. If this sounds like a North/South thing it isn’t exactly, but I’ll explain that in a moment. The New York art and antiques season seems a …

Editor’s Letter, November/December 2015

aroseshapiro Opinion

It would be tempting to wiggle into this one, introduce the issue with some high minded talk about the past not being another country and so forth, go on to mention our wonderful articles about Julia Margaret Cameron, etc., but more about all of that in a minute…The fact is we have something here requiring immediate comment—Paul Kossey’s discovery of …

Editor’s letter, September/October 2015

Editorial Staff Opinion

One afternoon not long after I began working here I opened a letter that asked me a challenging question: how, the writer wanted to know, “did a Polack [sic] like you get your position?” After a few jolly moments in the office I called our longtime editor Wendell Garrett, who enjoyed odd news from the passing scene. Wendell was amused, …

A message from the editor

Editorial Staff Opinion

We look forward to the merger of The Magazine ANTIQUES and MODERN Magazine with ARTNEWS S.A. as we expand our digital presence, reach new readers, and bring the best in scholarship and criticism on the fine and decorative arts to a global audience.

Editor’s letter, July/August 2015

Editorial Staff Opinion

What has been lost… The only thing more American than sentimentalizing the past is our habit of discarding it. And so when it comes to the dolls shown in this issue, stunning examples of an African-American folk art, questions abound: who were their makers and for whom were they made? How can they be dated and where did they originate? …