Northern Lights

Katherine Lanza Art

If fin de siècle Nordic cultural ferment—and contemporary global anxiety—is often summarized in shorthand by Edvard Munch’s The Scream (1893), to enter the former home of Stockholm banker Ernest Thiel (1859–1947), a museum open to the public since 1926, is to dwell in the plush, cool parlors where such paintings were first revered as windows into the human psyche.